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AMS

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5 mentions in 5 episodes.

HAIM

14:03 · AMS chorus · named · medium confidence
“these ahs here, they're getting the small hall and they're getting the AMS chorus, and there's four of them”
The four panned background vocal 'ahs' in the chorus are treated with a small hall reverb and AMS chorus.

Holly Humberstone

45:11 · AMS reverb (RMX16-style) · named · medium confidence
“One of the main elements that helped the groove was this AMS, like a proper '80s reverb.”
Rob credits an AMS-style '80s digital reverb for making the Splice conga loop groove on 'Cruel World'.

IDLES

1:20:54 · AMS delay · named · medium confidence
“It's off the AMS.”
The stacked delays on Joe's spoken-word outro to Pop Pop Pop came from Nigel's AMS hardware delay.

Lorde

55:11 · AMS RMX16 · named · medium confidence
“we were just running a bunch of stuff through an AMS unit... maybe the Room 2, and the reverse setting on it”
An AMS hardware reverb (Room 2 and reverse settings) shaped the early Grown Woman vocal and synths.

Tomora

1:23:50 · AMS pitch shifter and delay · named · medium confidence
“We were feeding it through this other unit here, an AMS pitch shifter and delay, so we had different pitches on left and right”
The monophonic Synthi was turned into a cathedral-like chord by feeding it through an AMS harmonizer/delay.