Electro-Harmonix
6 mentions in 3 episodes.
A. G. Cook
“That's me using a pedal again. That's the Pitchfork pedal, Electro Harmonix, and it's a distillation of the Whammy pedal.”
The EHX Pitch Fork creates the grainy, aliasing high octave guitar part in Serenade.
Arlo Parks
“And then like some of these guys using a pitch pedal, I think the Pitchfork.”
Pitch-shifted guitar layers in 'Jetta' were created with an Electro-Harmonix Pitchfork pedal.
“there's one called the Pitchfork, and I have the miniature version, the Pitchfork Pico... made by Electro-Harmonix”
Baird picks the Electro-Harmonix Pitchfork Pico as his key piece of gear, used for subtle chorusing, octaves and fake bass tones on guitar.
IDLES
“We had the Prophet going through a Big Muff as well, so that's giving all those kind of distortion overtones”
Miko explains the Prophet layers on Pop Pop Pop were driven through a Big Muff for distortion overtones that blur into the guitar feedback.
“importantly, there's like a big Loop Station thing, an Electro-Harmonix Loop Station thing”
An Electro-Harmonix looper sits at the heart of the Crawler Machine, letting Bowen perform loops live rather than program them.
“his answer is the Electro-Harmonix POG... I have 2 of them on my pedalboard. He's broken 8 in the last 2 years.”
Bowen's must-have pedal is the Electro-Harmonix POG, used to push baritone guitar into bass and organ territory; he breaks several a year.