Valhalla DSP
Barry Cant Swim
“I always use the Valhalla one... roll off the low cut, no pre-delay, mess with mix and decay, and I almost always use the 1970s mode”
Bob Vylan
“So there's some delay, Valhalla Delay, which I love. All of the Valhalla stuff is amazing. So it's like a lo-fi slap delay thing”
Bonobo
“I usually use Valhalla stuff... Valhalla Room is the one, because it has these huge cathedral decays that go on for a whole day.”
“And Vintage Verb is good too, but Room I really like.”
Clean Bandit
“There are memes about how bait it is that you use this reverb. But yeah, Valhalla Vintage Verb. Make sure you take a bit of the low end out.”
EJT
“I think I'm using a Valhalla Supermassive, which can sound really untamable... so huge and cavernous, and Space Echoes”
Hayley Williams
“I usually throw Valhalla Vintage or the UAD Capitol Chambers reverb.”
“I like the Valhalla reverb like I mentioned.”
Kae Tempest
“Some stock Ableton stuff which is really cool, some Valhalla reverb and an RC-20 as well, which I really like.”
Kasabian
“There's a Decapitator and then Valhalla. That pretty much is the chain for a lot of things for the last few albums.”
“Just a bit of Decapitator and a bit of Valhalla. That seems to get that sound instantly.”
Olly Alexander
“Then we've got it going entirely through this Valhalla. That's it without, that's it with. Let's give it the room”
RDS
“We have the piano but we're bringing up this Valhalla reverb on it and then this Dynamic Tube saturator”
Rex
“Another big thing that ended up becoming a sound for a couple of the songs on the record was Valhalla Room”
“Going back to the room thing that Teo was mentioning about us using Valhalla Room and just that natural live sound”
The Favours
“There's Valhalla Room, Pro-Q 4, and also this...”
“I put a lot of Valhalla Room on the piano, like almost 50%. And then some saturation.”