Yamaha
Adam Buxton
“There was the NS tens... the guy I worked with a lot, Ash Workman, he was using NS10s... if it sounds good on these, it sounds good everywhere.”
“There was a video of Björk talking about this Yamaha QY-20... it's basically just like a MIDI sound bank, but you can sequence on it.”
“I've got a QY-70, I think, that my wife gave me for my birthday years ago... I used it a lot for jingles.”
“This was a Yamaha QY-100 jam that I started with about going to the supermarket.”
“I'm going to bag the Yamaha QY-100... For a kind of non-musician it is a joyful piece of circuitry. I would recommend it to anyone.”
Djo
“It was like a post-DX7, like, oh, we need something slick and presets.”
“It was like Yamaha U3, like a more modern dark piano, and just wasn't working.”
IDLES
“Nigel has this thing called a Disklavier, so it's like a player piano... then we sent it to the Disklavier”
“you know the bit where he draws the strings out of the CS80? I was like, oh my God, I'm going to do that”
Kae Tempest
“It's that piano over there, the black upright... £1,200 Yamaha, which my piano tuner said, if that was my piano, I would cut it up and use it as kindling.”
Olly Alexander
“I think RX-5, a drum machine called RX-5, I think is one that I really think sounds fantastic”
Rex
“CP-80. CP-70. CP-70, sorry. Double bass.”
The Favours
“We said there was sort of a palette we were going to work with, and it was like CP-80 keys, guitar, bass, piano, drums.”
“Ash played most of the CP-80 on most of the album, and so it's fun for her to get to stand up.”
“I would give the CP-80 a big shout out on this record... it was a great writing tool.”